หน้าจอสัมผัสขนาด 7 นิ้ว 1920 x 1200 การสลับ HD 4 อินพุตและการบันทึก ISO Dynamic AtomHDR, ไฟแบ็คไลท์ 360 โซน 4 x 3G-SDI, 2 x 12G-SDI ความสว่าง 3000 cd / m² อินพุต / เอาต์พุต HDMI 4K โหมด HDR, เอาต์พุต Dolby Vision 1,000,000: 1 ไดนามิกคอนทราสต์
DCI 4K สูงสุด 60p / 1080p สูงสุด 240 fps
Weight | |
---|---|
Without batteries & media | 709g / 25oz. |
Dimensions (W x H x D mm) | 214 x 127 45mm |
Construction | Polycarbonate ABS |
Mounting points | 1/4”-20 screw mount. 1x top and 1x bottom |
Power | |
---|---|
Operating power | 10 – 33W |
Compatible batteries | Atomos NP-F series and supporting accessories |
Input voltage (battery) | 6.2V to 16.8V |
Battery time (based on 2 x 7.4V) | 5200mAh – up to 1.5hrs (monitor & record 4K 30p) |
7800mAh – up to 2.2hrs (monitor & record 4K 30p) | |
DC In | 1 x DC in (6.2 – 16.8V) |
Touchscreen | |
---|---|
Size | 7.2” |
Resolution | 1920 x 1280 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | Up to Wide color gamut (105% DCI-P3) |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x |
Technology | Dynamic AtomHDR zoned backlight IPS LCD |
Dynamic AtomHDR Technology | |
---|---|
Backlight | Direct LED |
Zones | 360 direct backlight individual LEDs |
LEDs | Wide Color Calibrated D65 or D95 |
Bit depth | 10-bit (8+2 FRC) |
Color | DCI-P3 105% |
Brightness | 1500nit (+/- 10%) |
Control | On the fly real-time brightness analysis for LED control |
HDR Conversion | Log/RAW to HLG or PQ |
HDR Monitoring Technology | |
---|---|
Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG |
Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 / |
Video Input/Loop Out | |
---|---|
HDMI | HDMI 1 x HDMI (2.0) |
SDI | Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Genlock | Genlock input signal and output signal |
Video Output (Play Out) | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | 2x 4K-SDI 12G or HD-SDI 3G/6G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Video Signal Conversion | |
---|---|
HDMI to SDI | – |
SDI to HDMI | – |
Audio In/Out (48kHz PCM Audio) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu Max analogue gain +52dB 48V Phantom Power for Mic |
Headphone out | 3.5mm 2ch. |
Supported Codecs & Frame Rates (Record & Playback) | |
---|---|
Raw to: | ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII |
4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Canon C300MKII/C500 CDNG |
4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera |
Panasonic VaricamLT, EVA1 |
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Supported base resolution & FPS from cameras | 4K DCI: 23.98/29.9/59.94p 4K UHD: 23.98/29.9/59.94p 2K DCI: 23.98/29.9/59.94p 1080p: 23.98/29.9/59.94p |
Supported FPS & resolution from gaming consoles and graphic cards | 1080p; 24/25/30/50/60/100/120 |
Onboard Processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes – Loop-out and playback (Not available in RAW) |
Remote Start/Stop | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control – Slave |
Playback | |
---|---|
Playlist / Genlock / LTC | Yes / Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
Recording | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes* |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
Monitor, record, and switch in the field with the 7″, 1920 x 1200 Shogun 7 HDR Pro from Atomos. This versatile on-camera recording monitor offers up to DCI 4K raw recording, HDMI and 12/6/3G-SDI inputs/outputs. With the AtomOS 10.4 firmware update, the Shogun 7 provides ISO recording of up to four HD-SDI camera streams plus program capture. Output your content for director or client viewing in Dolby Vision HDR using the Shogun 7, AtomOS10 platform, and a compatible display.
This touchscreen monitor supports resolutions up to DCI 4K (4096 x 2160) at 60p and up to 2K at 240p for slow-motion effects. Record to 2.5″ SSDs using Apple ProRes Raw, ProRes, CinemaDMG (up to 30p), and Avid DNxHD codecs. Record all your event’s action with live multicamera monitoring, recording, and switching between program and up to four 1080p60 SDI ISO camera streams. When used with Final Cut Pro, a fully configurable, multicam .xml can be generated for easier editing.
The Shogun 7’s 10-bit (8+2 FRC) panel features 360-zone backlight, 3000 cd/m² brightness, and a 1,000,000:1 contrast ratio. Its native AtomHDR (log) display enables you to more accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. Built-in presets accurately translate popular log formats from ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras.
Save editing time by tagging your footage on-the-fly and recording directly to Final Cut Pro x, Adobe Premiere, or Avid Media Composer formats (third-party plug-ins may be required for tagging).
Power the Shogun Inferno with a single Sony L-series battery; dual battery plates support hot swapping, enabling longer uninterrupted runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via a separately available audio breakout cable. Additional Shogun 7 features include genlock input, BNC timecode input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, focus assist, and other display tools.
In The Box
- Atomos Shogun 7 HDR Pro/Cinema Monitor-Recorder-Switcher
- Master Caddy II with Screws
- AC Power Supply (12V, 3A)
- 4 x Wall Plug
- EPP Carrying Case
There are no reviews yet.